By Joe Sullivan
Simply because most folks wouldn't have the posh of sitting down uninterrupted for hours at a time to benefit Flash, this 10 Minute advisor makes a speciality of the main usually used gains, masking them in classes designed to take 10 mins or much less to accomplish.
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Extra resources for 10 Minute Guide to Macromedia Flash 5
2 Choose Edit Selected to manipulate single objects within a group. When grouped objects are exactly as you want them, you can lock them into place. This is helpful if you are continuing to edit a Flash 5 layer, but want to ensure that certain images remain untouched. To lock grouped objects, choose Modify, Arrange, Lock, from the toolbar. 3 shows the Modify, Arrange, Lock selection. 3 Locking grouped objects enables you to edit other elements of a Layer without disturbing the locked objects. Grouped objects don’t cut into each other the way ungrouped Flash 5 objects do.
The Stroke Panel and the Stroke Color box adjust line dimensions and qualities the same way for the Line tool as they do the Stroke tool. TIP Holding down your Shift key as you use the line tool will constrain your lines to 45° angles. Drawing Images in Flash CAUTION Sometimes the subtlety of too elaborate stroke styles can get lost in a viewer’s browser. Because of this, many Flash designers prefer to keep stroke styles relatively simple and not too detailed. Some of the more involved stroke styles work best on large, relatively simple, and straightforward graphics.
The Subselect tool is also useful in fine-tuning curves made with the Pen tool. The nodal points along the Bézier curve made with the Pen tool can be selected and moved in the desired direction. Editing a Bézier curve can be valuable in the final stages of your design, but be aware that, as when drawing with the Pen tool, editing it sometimes ends up with an image somewhat different from what you Grouping and Manipulating Objects may expect. It is good to experiment with this effect to become familiar with it.
10 Minute Guide to Macromedia Flash 5 by Joe Sullivan